Boar's Hill, Oxford July 5. 1917 Masefield thanks Bull for her sketch of 'a superior person' in Ireland; likes her poem in The Forge (probably the June issue); advises Bull to get as much as she can out of each word; notes that ‘the moods pass + never come back’; praises a ‘stunning’ collection of Chansons de Metier. For vague responses to her questions about the war, Russia, and England, Masefield blames The Censor and 'unknowable' future of post-war England where, he hopes, Britain's young veterans will usher in a 'new crop of ideas'.